For the camera I set it at ƒ2.8 @ 1/30th 1080/30p. ISO was at 500 to give me some apeture fiddle room in case someone got squirmy. I put my Canon L 24-70mm ƒ2.8 zoom lens on as the catchall range for interviews. I used my Marshall V-LCD70XP on a Manfrotto arm as a local monitor – peaking really helps with the focus while recording and the false color filter is great for exposure tracking.
For audio I used my Shure FP33 field mixer to feed both the 5D and a Zoom H2. I put a Sennheiser EW100 lav mic on each speaker and panned them on to their own channels. Later in post I decided to go with the H2 recording although the tracks from the 5D were not bad… =)
To finish I used Streamclip to convert the footage (into XDCAM EX 1080/30p) for FCP 7. I started to run the final edit though Color 1.5.1 and then decided in the interest of time to just do a little touch up with the 3-way color corrector in Final Cut. I put the Broadcast Safe filter on at the end just to hedge my bets. Again, we wanted this to be real warm and friendly so it has an extra orangey feel to it =)
Over all I’m pleased with the final product. (We basically did it in a morning.) The 5D worked well and it was a good opportunity for me to get a real project under my belt with it. I want to explore some of the other ProRes settings for FCP and Streamclip. I think that’s going to be the final quality point. Audio was easy to sync up (short form). Now I just need to configure the kit into a couple of cases and an easy cable layout…
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I’ll keep the updates coming. Happy Memorial Day!!!