Recently got to use the new ZOOM H4n on a project to track GOPRO cameras in a car interior setting – Worked 
great. We first used them with the internal mics place near the interviewee – that worked OK but had a little too much road noise. Plan B, we already had the people miked from the other part of the interview process with Lectrsonic 195 systems so we just added the ZOOMs to our field mixer bags and set those in the back seat during the “on-the-road” interviews and used hand claps to sync them up later. Sounded great.
great. We first used them with the internal mics place near the interviewee – that worked OK but had a little too much road noise. Plan B, we already had the people miked from the other part of the interview process with Lectrsonic 195 systems so we just added the ZOOMs to our field mixer bags and set those in the back seat during the “on-the-road” interviews and used hand claps to sync them up later. Sounded great.
Things we learned:
- 4gig – class 4 cards were fine
- 48/16 WAV files fit right into the edit
- Batteries would last almost all day – 10 hours
- New front panel design was much easier to read and operate
- Mic level in to the XLRs from the mixers worked great*
- Gain staging mixer to H4n had plenty of wiggle and head room
- Make sure you don’t bump the MIC/1&2 buttons – Silence… OOPs
*In preparation I had done a lot of reading up on the new H4n and most said “no line in”. I understand the combo inputs are designed to accommodate HIGH impedance signals from guitars and basses 10k. Well I did some testing after the shoot, -10 line out of my FP33 @ 0vu yielded a nice signal when the record levels on the ZOOM are set relatively low. No sonic coloration that I could hear – Tone and Dialog.
I have the H2 and the H4n. The H2 stays with my FP33 as a piggy back dual system recorder and the H4n stays with the 5Dm2. Nice kit to have…