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Blackmagic Production Camera 4K is Here!!! And it’s CHEAPER – YAY!!!

I just received word from BMD that the BMPC 4K is shipping as of today.  I checked B&H and a few other sites and they are still showing it as a pre-order item but the press release just hit a few hours ago.  Along with the terrific news of official shipping it is also making it’s debut at a lower price point $2995.  Down $1K from the original MSRP.  It is still shipping with a full copy of Resolve  and appears not to have lost anything in the process.  First thing I checked was the BMD site for the specs and everything still appears to be there so it’s all good.  Hopefully as the units start making their way into the market a few review units will drift into bloggers hands =)  I’ll keep you posted.  For now please see the full press release below and let me know your thoughts.

Fremont, CA – February 10, 2014 – Blackmagic Design today announced the Blackmagic Production Camera 4K is now shipping and with a new low price of US$2,995. This new low price will be available for all customers, including existing pre-orders. Blackmagic Production Camera 4K is available now from Blackmagic Design resellers worldwide for only US$2,995.

“The support from the creative community for the Blackmagic Cinema Camera and Production Camera 4K has been amazing,” said Grant Petty, CEO, Blackmagic Design. “As with all of our products, we work hard in production to reduce costs so we can pass along the savings, even to our first Blackmagic Production Camera 4K customers. The Blackmagic Production Camera 4K is a perfect companion for ATEM Production 4K switchers and we hope the new low price will help more customers to expand their Ultra HD live production set ups with even more camera angles!”

Blackmagic Production Camera 4K is a super high resolution 4K digital production camera for Ultra HD television production. Featuring a large Super 35 sensor, professional global shutter as well as EF and ZE compatible lens mount, the Blackmagic Production Camera 4K captures high quality ProRes™ files, giving customers a complete solution to shoot amazing high resolution music videos, episodic television productions, television commercials, sport and documentaries.

The Blackmagic Production Camera 4K has everything customers need right out of the box including a built in SSD recorder, rechargeable battery and a large 5” LCD touchscreen. In addition to focusing and monitoring shots, the touchscreen also lets customers enter metadata and change camera settings all on a single easy to use interface. Customers also get a full copy of DaVinci Resolve for amazing quality color grading and finishing for Mac OS X and Windows computers.

  • Ultra HD 3840 x 2160 resolution
  • ProRes 422 (HQ)™ recording
  • Super 35 sensor
  • Global shutter
  • EF and ZE compatible lens mount
  • Built-in SSD recorder
  • 5” LCD touchscreen
  • Metadata entry
  • 6G-SDI output for 10-bit HD and Ultra HD
The Blackmagic Production Camera 4K is available now for US$2,995 from Blackmagic Design resellers worldwide.

Until next time, Good shooting

TDTrey

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Rokinon Cine Lenses-Second Look

Still loving the Rokinon Cine lenses.  I have three now: the 24mm, 35mm for a few months and the 85mm just came in last week.  All the lenses are at a T1.5 max exposure. 

The 85mm is a little smaller than the 24 and the 35.  It still has both an iris gear and a focus gear.  Very handy for jib work.  Since this one just came in, I haven’t had a chance to test it in the field yet – but plan to in January.

The build quality is just as amazing.  The markings are nice and bold (although still only on the driver’s side).  The gears seem to work nicely with my FF.  And… the 85mm has a deep filter thread.  I ordered from B&H so I also ordered a Tiffen UV filter to go with.  The pair shipped as one and I knew that I would have the lens protected as soon as it arrived.

I’m hoping the rumors about a 50mm Cine lens are true.  I would like to round out my basic prime set now and then start adding T&S lenses and other more specialized glass later in 2013.

I’ll keep you posted as I put this one through it’s paces on the F3 and the 5D2…
Until next time, good shooting.

TDTrey.com

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My F3 Christmas Wish List

OK.  So we didn’t all blow up today – YAY!!!  Now it’s time to start thinking about questions for the big man in red ( and I don’t mean Jim Jannard =)

Here’s my wish list for my Sony F3 from Sony in 2013:
  • Could we get an upgrade for 4:2:2 internal recording with 50 m/bits throughput?
  • Is there enough processing power to give us RAW out of the F3?
  • If the sensor is 4K can it be De-Bayer’d down to 2K to an external recorder?
  • Can we us the new faster SxS cards with an upgrade to the firmware?
  • If not free, could this be done for a purchased upgrade under $2000?
So,  obviously what I’m aiming for here is a 2K RAW F3 upgrade for under $2000 to extend the life of our cameras as we start to save up for the F5 and F55.  I think we’ll need another year or two for 4K to be requested by clients and this gives us a path to stick with and the ability to use our current configurations a little longer.

Seems like there is ‘a storm a brewin’ for the 4K market but we won’t know anything until it passes.  If these cameras can be upgraded for a few bucks now and stay relevant until the new crop (no pun intended ) of sensors is released – could be a good thing.
Just thinking out loud… Santa Sony are you listening???
Merry Christmas and Happy Holidays to everyone.  I look forward to hearing from you in 2013 =)
Until next time, good shooting.

TDTrey.com

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Rokinon Cine Lenses-First Look

Just got the sneak release of the Rokinon 35mm T1.5 Cine lens from B & H — Wow.  Very impressed with it out of the box.
I’m going to be using it on my F3 so the build quality needs to be OK and lets face it… It has to look a little impressive besides being sharp.  I did a lot of research on the Bower, Samyang, Rokinon brands (they are all the same manufacturer) and thanks to information found on KenRockwell.com site and a few other sites these lenses seem really sharp in comparison to their Nikkor counterparts.  I thought I would give them a try and report back.  They aren’t supposed to be out until September but a few got released early and I was able to get one.  I’m waiting for the 24mm, 50mm and 85mm.
Build quality is very nice at first blush.  Not all plasticy.  The witness marks are on the left side only.  Barrel rotation is about 180 degrees and smooth.  Aperture rotation is smooth as well.  Image looks nice and sharp on the first tests.  Bokeh is creamy.  It is a full frame or FX lens so compared to my 5D2 where it’s a 35mm it’s more like a 50mm field of view on the F3.

All in all a nice lens so far.  More to follow…

Until next time, good shooting.

TDTrey.com

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Which Camera(s) cont’d – Sony FS700

Well, looks like Sony has gone and done it again…. The FS700 is the new camera to beat. I thought I would wait until the dust settled to put my two cents in. I’ve got nothing to report that hasn’t already been written — Other than WOW!!! wait… I read that somewhere too…

This seems like what the C300 should have been, what the Scarlet X might have been and what we were hoping the 5Dmk3 would have been. And it’s a Sony =)

I was very intrigued with the FS100 but not completely sold. And have been looking for a way to use my Canon EF glass to make the package a done deal. I found the Metabones adapter for the lensing and the battery support for running all my monitoring but was not just there yet… Then I was hipped to the FS700 last Monday and everything changed.

Looks like the new camera route might be to get the FS 700 ASAP. Shoot the 5Dmk2 for as long as I can. Rent the Mark III when needed. Adapte the 5D cage to the 700 for maximum use. If I still get requests for the 5D a lot upgrade later and replace the mark II….

Exciting times my friends… exciting times indeed!!!!

Good FS700 resources:

Andy and AbleCine – Video Overview

Den Lennie

Frank Glencairn

Well that’s it for now. Until next time, good shooting.

TDTrey.com

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SmallHD HDMI Active Splitter

Life Saver!!!!

I just recently added a Zacuto Z-Finder EVF to my 5D2 package. (Really great tool to have in your kit) But I was having a little trouble routing my signal through the whole rig. I was going from the 5D to the EVF and then looping out to the Black Magic Design HDMI to SDI converter. While the loop-thru works pretty well, it appears to sometimes be a little intermittent. I think it has something to do with the handshake between all the devices. Thus the SDI feed going out to the client monitor would cut in and out occasionally.

Enter the HDMI active splitter from SmallHD. The unit is about the size of a Zippo lighter (for those of you who can remember a Zippo =) and is self powered drawing it’s juice from the inherent 5V present in the monitor/device connections. It has a great little hook at the top that is perfect 1/4-20 size. There is a little LED at the bottom to indicate if you have 1 or both HDMI outputs in use. Green for 1 and Yellow for both.

The configuration of the connections is really nice. The bottom has an HDMI IN and Out. The top has the HDMI OUT and optional power inputs if needed. The power connectors are 1 DC barrel and one mini USB. I found these were not needed in my rig and wouldn’t be needed unless I was looping a bunch of these little guys together or doing really long cable runs.

The active splitter sends full 1080 HD out each output and maintains individual handshakes with each of the devices connected. The BMD converter’s signal is really stable when the splitter is in line. The one thing I noticed in my testing is that you have to power up the rig after everything is connected to make the handshake process work correctly. Once I did that it was perfect.

I’ll do an update to this post in a few weeks after I have used the system a little more. I just wanted to get the word out how cool this little guy is. And he’s built right here in the USA in North Carolina. The price is a mere $59 and the shipping is fast and easy. Pretty Cool =)

Until next time, good shooting.

TDTrey.com

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The Zacuto Z-Finder EVF Pro

The Zacuto Z-Finder EVF Pro – in a word, AWESOME!!!

I finally broke down and bought one this year. (What was I waiting for?) I got it last week for an upcoming 5D2 job and got to use it on an unexpected car spot a few days later. Almost all out side – could have really been difficult. The EVF Pro made it very easy. I used the Zebras and the Action Safe makers all day.

The 16:9 Sun Mask is a must. (DON’T TAKE IT OUT) it is very easy to burn the LCD when shooting out doors – It will happen in just a few seconds. And, the burn ins are YELLOW!!! not black or grey like the old BETACAM days…

I was very pleased with the auto scaling for the 5D REC compensation and the HDMI loop through. I had to put one stage of extension in to get the diopter in range for my eyes. Easy to do. I added an eye cushion to the eye cup for the comfort (and the look factor =). I’m mounting it to my Easom cage with a cine arm right now but will be checking in to something better in the future. I put a Switronix DC cable on it from my Hawk-Woods VL-DC5X D-Tap battery brick distribution system so the whole rig can be powered off of one brick. In the end I think we are all still trying to make these DSLR rigs like our old shoulder camcorders with all the new features of the sensor size and sensitivity.

With all the goodies coming out this year I think it’s a good time to start streamlining your rig and this monitor is a great start. Definitely check it out at the next HD gear show you go to and watch the Zacuto video series on the the EVF – well worth the time.

Until next time, good shooting.

TDTrey.com

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Which Camera (cont’d) 2012

Well it’s 2012… Yeah!!!

And now we have a few more camera choices – woo hoo!!!

The Canon 5D Mark III is finally on the horizon with the Nikon D800 giving it a good run for the money. The flagship DSLRs are also coming out soon. Then onto the big boys, the Sony PMW-F3 now has S-Log built in and the RED Scarlet-X is more then we were really hoping for (or at least the proposed version =) The Canon C300 seemed to be the best of all worlds except for the price tag… As for me, I’m caught in a spiral of full frame DSLR or Super35 camcorder.

I currently have an EX3 and a 5D Mark II both of which get pretty regular work. The 5D2 has picked up a little more action this year which is great. I’m waiting to see what happens at NAB – it’s going to be crazy this year!!! The acceptance of 35mbs /sec has been hanging in there for a while but now with the Mark III at an estimated 90+ mb/sec it could set a new standard for most cameras. If I go on with the DSLR plan I’ll likely go to the 5D3 first and then the next offering (4K ?) after that. I do have to say the Nikon line up is looking pretty good. I was all Nikon for years and then moved to the Canon side of the street when the 5D came out. Clean – uncompressed 4:2:2 is a step in the right direction for sure… I’m waiting for a box with any mount and a clean out, place for a monitor and external recorder!!! This would be the best solution ever — just change out the body when a new one comes out. Maybe later this year??

At any rate the next 2 months will be really exciting!!!

Until next time, good shooting.

TDTrey.com

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Shooting with the RED is EPIC

So I got to spend 3 days with the new RED Epic-X last week. Really nice. Some quick notes:
  • I like the touch screen menu adjustments. Although, we got the side grip the day before the shoot and I must say that it lays out a lot like a Canon system when you start accessing the menus that way.
  • We are using mostly zooms on this shoot for moving fast. The RED 18-50, RED 50-150 and the Tokina 11-17 PL. We have the full set of RED primes with us but have decided to lean on the zooms. A lot of the work is being done from my Porta-Jib Explorer camera support system. We are using both the JIB and the slider configurations so the zooms are coming in handy.
  • Playback is still forthcoming so we are treating this like a film shoot. If the client wants to review a shot they go over to the DIT station and look at it there. (usually after the card has gone in for offloading). It will be great when it is put in a future build.
  • The media management seems pretty straight forward. Very much like an EX workflow. We are getting the MacBook Pros to play back at 1/8 resolution in REDCINE-X with out much problem. No real color adjustments are being made on the set – We just check to see when there is a problem that we will be able to remove it in post.
What a great camera package for digital cinema. I’m looking forward to the next time I get to shoot with this camera.

Until next time, good shooting.

TDTrey.com

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Exit the ScarLETUS – Enter the Scarlet-X !!!

AWESOME!!!!!!!!!!!!!!!

I was at the Technology Expo in Burbank today, visiting the Canon booth, waiting to hear the good news about their new $6K HD camera like everyone else. They had no news. The Paramount team hadn’t called yet. At 3:30pm I started getting phone calls about the Canon presentation at Paramount: The camera is cool, great form factor, very sharp…. then the price came out — $20,000 freakin’ dollars!!!

Hop over to RED. The stage is set. Every one is hoping for a Hail Mary and RED delivers!!! A gigantic round for their bazooka. Dead hit! 4K Super 35 for under $10K Yippee Cy Ya M… F….

Sorry. I’ll reel in the enthusiasm a little. I’ve just been waiting for this camera for soooooo long. I got a fast track lesson on the EPIC yesterday. I’ll be shooting with it next week. I was very impressed. I had relegated myself to the idea that the Scarlet could possibly fill a gap for me until the EPIC-S/Scarlet S35 eventually came on the scene. As in my ScarLETUS blog I was even planning a way to make the fixed 8x lens concept work for the mean time with my 35mm LETUS adapter. Well I don’t have to worry about that anymore =)

I’ll just say that my EX3, 5D and F3 were filling in the gaps and if I were to buy another camera it would need to really stand out. EPIC not withstanding, (out of my price range) the EPIC-S was going to be the only contender for that position but had reportedly gotten pushed to the back of the line – SOOOOO glad that RED brought it out as the Scarlet-X.

Great job RED!!! Now I can look forward to the Digital Future with hope =)

Until next time, good shooting. (Go RED!!!)

TDTrey.com